6/5/2023 0 Comments Tangerine movieIt was only after the credits rolled that I realized the mobile device I was holding was the same model that was used to make the film itself, and could be the catalyst for the next wave of important cinema. In most cases, audiences have difficulty not looking at their phones while watching a movie, but with "Tangerine," I found myself with no time or desire to do so. In what I'm almost certain is an unprecedented instance, this is a story of right now told using the most accessible technology of the times. The film looks stunning and is endlessly watchable I was quickly swept up by the whole thing without any time to sit and marvel at how revolutionary it was. The fact one of the year's greatest films was being made probably didn't occur to anyone who saw them running around shooting it.īoth the delicate subject matter and the unconventional camera choice of "Tangerine" are handled with expert care and an incredible amount of talent. By not drawing attention to the fact they were making a movie, the "Tangerine" crew were able to blend in with a culture that has grown accustomed to seeing people taking pictures and video with their phones everywhere we go. Baker, Chris Bergoch and co-cinematographer Radium Cheung were able to instantly achieve a hyper-realistic proximity that wouldn't have been possible with a large crew following the actors around. The choice of shooting on a mobile device rather than a traditional camera wasn't just a cost-effective one directors Sean S. We're not sure what it is we're going to witness in either case, but it's a guarantee that neither will be boring. As a contrast, Taylor is reserved and introspective in the Alexandra role, with the subplot of an impending nightclub performance scheduled right in the middle of the chaos. Rodriguez is in constant motion and almost always operating at a fever pitch, playing Sin-Dee as appropriately intense and determined as the story requires. As you might imagine, there are many scenarios and characters that everyone involved encounters along the way, making for quite an interesting 88 minutes.Ĭontrary to the talky, dialogue-driven films of the '90s or even today's current crop of breezy, deliberately moody indies, "Tangerine" is loud, colorful, and moves at a breakneck pace. While Sin-Dee is out on her own personal quest, we soon learn that Razmik is obsessed with her, and spends the day searching for her despite obligations to both his job and his family. During lunch with her best friend Alexandra (Mya Taylor), Sin-Dee is informed that her boyfriend/pimp Chester (James Ransone) has been cheating on her, and sets out on a manic, day-long rampage to find the woman responsible.Īt the same time, we're introduced to Razmik (Karren Karagulian), a cab driver who is a friend to both women, exchanging them use of his vehicle for their occasional services. Set on Christmas Eve in the streets of modern-day Los Angeles, "Tangerine" is a narrative drama that picks up immediately following the release of sex worker Sin-Dee Rella (Kitana Kiki Rodriguez) from a 28-day prison sentence. Normally, I try to go in without a truckload of expectations, but in this particular case, I couldn't help but have a lot riding on it. It's going to be picked apart by anyone who sees it, and even by many who won't, for merely setting out to tell such an audacious story in such an unconventional way. Not just because it's about a day in the life of two transgender characters, but because it also carries the distinction of being the first feature-length movie shot entirely on an iPhone 5c.
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